Special on Van Morrison’s “Tupelo Honey” by Kate Kiefer Lee

On the cover of 1971’s Tupelo Honey is a dreamy photo of Van Morrison’s then-wife Janet Planet riding horseback, and he’s walking alongside her. They were young and in love. It’s hard to believe Van Morrison was 26 once.

He wrote most of the record’s songs in Woodstock, and left because the place was getting too popular. His music seemed to follow the same trend though, increasing in popularity, and it has remained so ever since.  These days, you’re just as likely to hear “Tupelo Honey” performed by some middle-aged cover band on the patio of a Mexican restaurant as you are to hear it playing in an indie record store. This seeming contradiction might be the illogical dance that makes it a classic.

After Woodstock, Morrison landed in California, where he finished Tupelo Honey. Like the rest of his records, it was recorded as live as possible in the studio. He originally wanted to make a country record, but it threaded a life all its own along the way. At times it sounds like the country record he intended, full of carefree love songs and John McFee’s pedal steel floating in and out, (not to mention a song called “Moonshine Whiskey”), but it’s certainly got the soul power his fans had already come to know and love from songs like “Brown Eyed Girl.” More Moondance than Astral Weeks, the record is just so approachable—especially considering that Morrison is quite possibly the most unapproachable man in music.

Predictably, Tupelo Honey was a success—it charted at #27 on the Billboard charts and eventually went gold. But the artist and his art were on two different paths. Morrison canceled a tour after the record came out because he’d developed a paralyzing case of stage fright. And he divorced his brown-eyed girl in 1973. Tupelo Honey became a time capsule—an organic, soulful look into a life that only lasted a season.

Morrison’s an old man now, and he’s still making music, though people seem to pay more attention to his controversial personality. But it doesn’t matter, because every time Van Morrison kicks some kid off his lawn, a happy couple dances to “Tupelo Honey” at their wedding. Every record turns into a time capsule sooner or later—I can’t wait to open this one on Thursday.

Established in 2009, the ATL Collective seeks to foster the Atlanta music scene by encouraging collaboration between local and national musicians, through a night of musical storytelling that celebrates the artistic integrity of the album. While chart-topping singles and digital downloads have reigned over the music world for the last decade, the album is making a comeback. And the ATL Collective is championing this cause. Every second Wednesday of the month at Eddie's Attic in Decatur, Ga., we create a musical event by covering a classic album and replicating the intimate experience of listening to a record for the first time – going track by track, reading through the liner notes and turning over the record. We enjoy the music for what it is, without distraction, and we want to do the same for all who attend our shows. And to round out each monthly performance, we offer themed food and beverages that reflect an element from the featured album. We aim for the audience to experience the album with all their senses. All proceeds from the shows go to the local musical community, to help our artists succeed and continue to make great music. Facebook Twitter YouTube

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